248 Royalty-Free Audio Tracks for "One Note"

Sounds like you are in a futuristic city terminal. This is of course meant to represent only one of many sounds - it is not complete without other futuristic sounds (if you want to make a futuristic city terminal atmosphere!). This sound reminds me of an old third-person shooter game which was released/published back in the days (year 2000!) -- messiah!. This sound can for example be used in sci-fi games, for example when the player is walking in a huge futuristic city terminal, or is interacting with an ai - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.

It was a very uncommon, one-of-a-kind situation. You wind up somewhere you didn't intend and still sober, but someone is drunk enough, to not only drop his pants and to assume the position, but to be bound there. Then a brand new heavy-duty police-grade taser is passed around, "no, you do it. "(note: this was actually technically a stun gun. Supposedly the device contacts the victim, or patsy). I was sure he would never know who pressed the button, testicles that i never asked to see were right there and i just couldn't resist. I didn’t think it made contact because i didn’t make ‘em move. Pressing the button, however, did. I know i wasn't the last to do it either, but i was already on my way out the door. Probably wasn't his best night. The file is named after the abused end. Ps, i think i was supposed to taze his butt. Nup.

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

A peaceful, droning, relaxing summer soundscape of the midwestern forest. For starters, in the background you hear a river of wind steadily swirling around the oaks, and the maples and the sycamore trees. A blessed northeast wind-friend. The insects take over, and on top of that, a single, solitary bird, i think a flycatcher, softly calls his one-note. Even though this is the time of year that the visitors, those beautiful neo-tropical migrants, fill the woods, after several months of raising of raising a family, they are quiet, resting now. . . Letting the insects signify the passage of time and the slow march to autumn. In about 6 weeks from now, most of our visitors will have left. . . Back down south, their job of raising the next crop of insect-eaters done. . . And the woods, the forest, the nearly-dry creekbed will be packing it in. Recording done on saturday july 29th, 2017 at 11:30am in the forest near a creek with sound devices 702 and a rode ntg-2 shotgun microphone pointed straight up into the trees.

Zoom h4n - onboard microphones. This recording was captured in the city of orange in orange county, california. This is located just below los angeles and less than a mile from disneyland in anaheim. This is an extremely clean recording of a sudden cloudburst that turned in to a torrential downpour on december 28, 2020. The peaks are all very close to 0db. I opened the sliding glass door to our balcony and placed my zoom h4n as close as possible to the rain without destroying the recorder. What resulted is an amazingly layered rain track. This is because rain can be heard striking multiple surfaces such as a tree, a metal table, the cement balcony, etc. . . There is not much thunder (that's rare in this area) but if you need a few dramatic thunder claps they can be found at the following times one the file is downloaded. Note: that the rain decreases in intensity near the end. 8:09 - 9:37 - 10:31 - 11:20. - christopher.

Some cafe ambience severely altered with blok modular fx. Was originally a long jam cut up into a bunch of individual files but i figured searching through them would be a pain so i merged them back into one file. So listen through and pick the sounds you like with a wav editor, or enjoy it in its own regard as abstract sound sculpture or something. I don't want to divulge too much of what the patch looked like but it random note values with each keyboard press which were then ran through a waveshaper. Later on i add some reverb and use various things to alter the panning for some strange stereo effects. Edit: you might want to use a dc eliminator on the samples because the waveshaper creates some dc offset (basically useless low/zero frequency noise for those not in the know). But maybe it has some aesthetic value for you to keep it intact? you decide. Http://www. Meldaproduction. Com/plugins/product. Php?id=mutility this free vst has a dc eliminator included.

Part of a series of piano notes spanning one octave.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

Four notes (a4,g4,b4,c5) played one after the other at 60 bpm, generated by an online midi editor.

Long and short notes of a fife played by my dad. All notes are c5.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Playing with chuck. Playing with the notes b a c hnow i use only one script and alter it during the performance.

Nice tone testing my new mic.

upspeeded version of the previous theme 1. Wav*made with lmmsused sound: bit invader, arpeggio sus4 with some range. Time peaked at 75ms and vokalformant-filter at 50bpm 4/4. Feel free to use. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Electronic, Synth, Note, Oscillator, Csound https://freesound.org/people/cybilopsin/sounds/622830/ Quickly Synth Cybilopsin Freesound.org https://freesound.org/ freesound_org_c2f38a4f2a4f6a087d49c06ae51541bf40091919 ./freesound/622830__cybilopsin__quickly-synth.flac flac c2f38a4f2a4f6a087d49c06ae51541bf40091919 Electronic synthesis with csound. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Belt, Battery, Ford, Cold, Van, Vehicle, Motor, Vroom, Start, Screeching, Dead, Automobile, Diesel, Drive, Car, Rattle, Driving, Old, Engine https://freesound.org/people/Mullumbimby/sounds/622829/ Cold Start Of Old Diesel Car Mullumbimby Freesound.org https://freesound.org/ freesound_org_242221dd02ed50bfa79d5d4377299d58fbf01dd0 ./freesound/622829__mullumbimby__cold-start-of-old-diesel-car.flac flac 242221dd02ed50bfa79d5d4377299d58fbf01dd0 Cold startup of an old ford transit diesel van. The engine turns over very reluctantly and gives out it's telltale belt-screeching sound after startup before it drives off. Recorded in pcm stereo with a zoom h1n field recorder. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Scream, Pain, Yell, Shriek https://freesound.org/people/RJr2009/sounds/622833/ First Scream Rjr Freesound.org https://freesound.org/ freesound_org_210a1798560d372d4381c2ce1d0e8342163f1656 ./freesound/622833__rjr2009__scream1.flac flac 210a1798560d372d4381c2ce1d0e8342163f1656 Me screaming into the microphone, recorded on videopad. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Space, Electronic, Drone, Riser https://freesound.org/people/Da-JS/sounds/622840/ Riser Bars Bpm Da Js Freesound.org https://freesound.org/ freesound_org_f1dd3a64137ce6ab46251a9aa695fe8923833b21 ./freesound/622840__da-js__riser-4-bars-120-bpm.flac flac f1dd3a64137ce6ab46251a9aa695fe8923833b21 A riser created in ableton with hybrid reverb. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chill, Soft, Melody, Synth, Chords, Progression https://freesound.org/people/ar_jams111/sounds/622845/ Daily Sound # Sweet Chords Ar Jams Freesound.org https://freesound.org/ freesound_org_a85fcdace0ddf299bf2c45ea4f14a5363a322d37 ./freesound/622845__ar_jams111__daily-sound-001-sweet-chords.flac flac a85fcdace0ddf299bf2c45ea4f14a5363a322d37 One day i decided i would upload a sound to soundcloud every day. These days the sounds" are more like mini productions, but this is where it all started. A sweet and simple chord progression and melody. Love, ar_jams111.

Twanging a ruler on a desk creating various notes. First a plastic ruler, then a metal one.

Playing with chuck. Playing with the notes b a c hnow i use only one script and alter it during the performance. Back with sinus. Love sinus.

I've sampled one of my bass patches for zynaddsubfx. Enjoy :).

A looping sequence on notes. Created with a thor synthesizer using one oscillator with lots of fm feedback.

This contains 2 different uses of the same notes. One higher, and the other lower. I think it has an air of mystery to it.

A sound sampled from one of my music boxes. It's made of the first 5 notes of swan lake, and can be used for multiple projects.

Also an oldie, one i thought up on guitar myself,this time acoustic. Just a few simple chords and some ornaments(i put the notes into a sample instrument of mmm2006). . .

Sample of a hape toy piano. Captured using a røde nt1 microphone with a sound devices mixpre-6. Cut in izotope rx7.

Half-assed multisampling of highly damaged toy piano in my grandmother's attic. One strike of each key, then some random hits and glissandos. Recorded with a sony pcm-d50.

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

On the saxophone, using a specific set of fingerings one can "play" two notes at once. This creates a clashing, almost chewbacca-like sound that can be utilized in some specific settings to create a certain effect.

Little intro made on my phone with one of the guitar apps for android. With drums. 103 bpm(exact 102. 7) if you want to continue with the drums they are cakewalk si-drumkit program "smooth. Prog".

Sampled of a ludwig 14 inch by 6. 5 inch black beauty snare drum. This is one of the most popularly recorded snares of all time. Enjoy!.

Today i want to write about a song. A song that can bring any one alive , a song that will make your future. A song that will make you who you really are!!!. "listen to the sound of typing this sentence".

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

I hope you feel this one too. . . It's deep is a quick 16-bar loop with a sweet guitar chord over deep bass notes. Perfect for using as a background into/outro tune with some vocals over the top. Enjoy. . .

Some say 528hz and 741hz is a devil interval, and you can get hurt or even been dead by listening to one. Some don't give a crap what others are saying. So take it on your own risk. God bless!.

These are some synths i tuned in reason. I've included them as an octave long run of notes so you can use them in your own productions. I hope you find them useful :].

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Regular game sounds 1. -------------------------------------------------------------. You may use these sounds freely ifyou think they're usefull. I made them in nanostudio with the eden's synthsmostly one instrument (the eden) multiple notes some effect(hall i believe) sometimes and here and then multiintstruments. (they are very easy to make in nanostudio (=freeware!))i edited the mixdown afterwards with oceanaudio,to seperate the wav's from the output mixdown, andused a normalise effect for maximum db. If you want to use them for any production or whateverthats ok, they are public domain. 47. Wav sounds. Bye. -------------------------------------------------------------. 20-02-2014lu6np9@kpnmail. Nlhttp://home. Kpn. Nl/lu6np9.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause